Post by Grey on Jul 15, 2004 14:26:31 GMT -5
Source:www.scifidimensions.com/Jul03/1602.htm
by John C. Snider © 2003
Back in the early 1960s, Marvel Comics revolutionized and redefined the superhero genre. Amazing Spider-man, Uncanny X-Men, Fantastic Four, Incredible Hulk, Daredevil, Doctor Strange - within the span of five years, a dozen or so titles were launched that continue to this day.
Of course, the stories within reflected the changing times; over the years, Marvel's characters have continued to change, and are just as relevant in the new millennium as they were four decades ago.
But, what if the Marvel-verse had happened in another time, in another place? It's been imagined before, in fits and starts, from the occasional What If? one-shot, to the long-dead 2099 family of titles. Now, Neil Gaiman (creator of the DC title Sandman and author of the award-winning novel American Gods), in collaboration with artists Andy Kubert, Richard Isanove, and Scott McKowen, is putting a fresh spin, hopefully, on Marvel's beloved heroes and villains.
1602, an eight-issue miniseries debuting August 13, 2003, takes place in Europe at a time of great change. The Catholic Church's Inquisition is pursuing and rounding up "witchbreed", strange individuals with all sorts of unexplained abilities. Many of the witchbreed flee to the relative safety of England, where they are taken under the wing of Carlos Javier, an expatriate Spaniard with extraordinary abilities of his own. An elderly Queen Elizabeth sits on the throne of England - her ministers include Sir Nicholas Fury, her Minister of Intelligence, and Dr. Stephen Strange, her Court Physician and Magician. As issue #1 begins, Fury sends a blind Irish balladeer named Matthew Murdock to Europe to retrieve, from the last of the Templars, a mysterious item that may be either weapon or treasure. Unfortunately, this item has also come to the attention of Count Otto von Doom (also called The Handsome), ruler of Latveria.
All sorts of other odd things are going on, with strange weather, rumors of the end of the world, and a girl named Virginia Dare setting sail for England from the Roanoke Colony.
Gaiman got the idea for 1602 while participating in a comic convention in Venice, Italy, not long after the events of September 11th. He'd been mulling over the idea of doing a miniseries for Marvel, but by that time, he confesses, he didn't want anything with "skyscrapers, guns, bombs or planes in it. And the idea for 1602 fell straight into my head."
Gaiman repeatedly insists that 1602 isn't a What If?, or anything like DC's Elseworlds - a puzzling claim since that's exactly what it is! The fact that it's a more comprehensive re-imagining than most such stories doesn't really change its "What If-ness". Says Gaiman: "Read it as a puzzle or and adventure. Things will become apparent as the story goes on."
One of the greatest challenges for this project was in deciding which Marvel characters to include, and which to omit. In the end, Gaiman says he had two cardinal rules: "1) The Marvel Universe will come into existence much the same way we're used to, only 400 years earlier, and 2) Jettison anything that doesn't forward the story." Case in point: Wolverine. Also Iron Man, since no matter how you slice him "he's still just a bloke in armor." Nonetheless, Gaiman assures fans that he has tried to fit as many characters in as possible, although sometimes only as passing mentions. "Pay close attention to 'The Ballad of the Fantastic', sung by Matthew Murdock," says Gaiman.
On adapting those characters that did end up in the story, Gaiman says "A lot of the fun was in thinking about what I liked about the characters, having them completely free of baggage, and a few of them were obvious. Oddly enough, some of them that I'd never had much interest in over the years suddenly became my favorites. Take Nicholas Fury - he's half Walsingham [i.e. Sir Francis Walsingham, 16th century British statesman], half Bruce Wayne (can I say those words?). He's older, tougher, ruthless - and a complete joy to write." Although Peter Parker is included in the story, he "has not yet, and perhaps never will, get bitten by a spider." Some of the otherwise familiar characters may initially be unrecognizable. The cast includes a suspiciously feminine-looking character referred to as "Master John Gray".
Another challenge was in fusing the complex Marvel universe into the actual historical events of the period. For example, in 1602 King James of Scotland (eponymous of the famed Bible edition) is waiting to inherit the throne of England from the elderly Queen Elizabeth, and as a good Christian is "absolutely, utterly against anything magical, so he hates Dr. Strange as much as he hates the X-Men [the aforementioned witchbreed]." Other villains include the Grand Inquisitor, whom Gaiman says "most of the readers will figure out during the first two issues."
The covers for 1602 will be done by celebrated poster artist Scott McKowen, but all the internal artwork is by Andy Kubert and Richard Isanove. On collaborating with Kubert, Gaiman says "I'm having a wonderful time. The joy of writing the stuff and then seeing Andy draw it, is really cool."
One of the most satisfying aspects for Gaiman in writing this miniseries was in making something from the Marvel universe that is comprehensively his own. Growing up in England as a big comic book fan was "incredibly frustrating, because in England comics came over as ballast on ships, and Marvel comics always ended with 'continued in the next issue', but you could never find the next issue! There are times I occasionally worry that Spider-man will never get out of one of those deathtraps he was in in the 1960s..."
Other than these tantalizing morsels, Gaiman and the Marvel brass aren't giving away too many spoilers. Whether 1602 will be a big hit, will lend itself to a sequel, or whether it will have any lasting effect on the "regular" Marvel universe, remains to be seen.
An educated guesser can easily conclude that those completely unfamiliar with Marvel Comics may find some enjoyment in 1602, but only True Believers will get the full measure out of it, reveling in what looks to be a rich remolding of Marvel's cherished creations.
by John C. Snider © 2003
Back in the early 1960s, Marvel Comics revolutionized and redefined the superhero genre. Amazing Spider-man, Uncanny X-Men, Fantastic Four, Incredible Hulk, Daredevil, Doctor Strange - within the span of five years, a dozen or so titles were launched that continue to this day.
Of course, the stories within reflected the changing times; over the years, Marvel's characters have continued to change, and are just as relevant in the new millennium as they were four decades ago.
But, what if the Marvel-verse had happened in another time, in another place? It's been imagined before, in fits and starts, from the occasional What If? one-shot, to the long-dead 2099 family of titles. Now, Neil Gaiman (creator of the DC title Sandman and author of the award-winning novel American Gods), in collaboration with artists Andy Kubert, Richard Isanove, and Scott McKowen, is putting a fresh spin, hopefully, on Marvel's beloved heroes and villains.
1602, an eight-issue miniseries debuting August 13, 2003, takes place in Europe at a time of great change. The Catholic Church's Inquisition is pursuing and rounding up "witchbreed", strange individuals with all sorts of unexplained abilities. Many of the witchbreed flee to the relative safety of England, where they are taken under the wing of Carlos Javier, an expatriate Spaniard with extraordinary abilities of his own. An elderly Queen Elizabeth sits on the throne of England - her ministers include Sir Nicholas Fury, her Minister of Intelligence, and Dr. Stephen Strange, her Court Physician and Magician. As issue #1 begins, Fury sends a blind Irish balladeer named Matthew Murdock to Europe to retrieve, from the last of the Templars, a mysterious item that may be either weapon or treasure. Unfortunately, this item has also come to the attention of Count Otto von Doom (also called The Handsome), ruler of Latveria.
All sorts of other odd things are going on, with strange weather, rumors of the end of the world, and a girl named Virginia Dare setting sail for England from the Roanoke Colony.
Gaiman got the idea for 1602 while participating in a comic convention in Venice, Italy, not long after the events of September 11th. He'd been mulling over the idea of doing a miniseries for Marvel, but by that time, he confesses, he didn't want anything with "skyscrapers, guns, bombs or planes in it. And the idea for 1602 fell straight into my head."
Gaiman repeatedly insists that 1602 isn't a What If?, or anything like DC's Elseworlds - a puzzling claim since that's exactly what it is! The fact that it's a more comprehensive re-imagining than most such stories doesn't really change its "What If-ness". Says Gaiman: "Read it as a puzzle or and adventure. Things will become apparent as the story goes on."
One of the greatest challenges for this project was in deciding which Marvel characters to include, and which to omit. In the end, Gaiman says he had two cardinal rules: "1) The Marvel Universe will come into existence much the same way we're used to, only 400 years earlier, and 2) Jettison anything that doesn't forward the story." Case in point: Wolverine. Also Iron Man, since no matter how you slice him "he's still just a bloke in armor." Nonetheless, Gaiman assures fans that he has tried to fit as many characters in as possible, although sometimes only as passing mentions. "Pay close attention to 'The Ballad of the Fantastic', sung by Matthew Murdock," says Gaiman.
On adapting those characters that did end up in the story, Gaiman says "A lot of the fun was in thinking about what I liked about the characters, having them completely free of baggage, and a few of them were obvious. Oddly enough, some of them that I'd never had much interest in over the years suddenly became my favorites. Take Nicholas Fury - he's half Walsingham [i.e. Sir Francis Walsingham, 16th century British statesman], half Bruce Wayne (can I say those words?). He's older, tougher, ruthless - and a complete joy to write." Although Peter Parker is included in the story, he "has not yet, and perhaps never will, get bitten by a spider." Some of the otherwise familiar characters may initially be unrecognizable. The cast includes a suspiciously feminine-looking character referred to as "Master John Gray".
Another challenge was in fusing the complex Marvel universe into the actual historical events of the period. For example, in 1602 King James of Scotland (eponymous of the famed Bible edition) is waiting to inherit the throne of England from the elderly Queen Elizabeth, and as a good Christian is "absolutely, utterly against anything magical, so he hates Dr. Strange as much as he hates the X-Men [the aforementioned witchbreed]." Other villains include the Grand Inquisitor, whom Gaiman says "most of the readers will figure out during the first two issues."
The covers for 1602 will be done by celebrated poster artist Scott McKowen, but all the internal artwork is by Andy Kubert and Richard Isanove. On collaborating with Kubert, Gaiman says "I'm having a wonderful time. The joy of writing the stuff and then seeing Andy draw it, is really cool."
One of the most satisfying aspects for Gaiman in writing this miniseries was in making something from the Marvel universe that is comprehensively his own. Growing up in England as a big comic book fan was "incredibly frustrating, because in England comics came over as ballast on ships, and Marvel comics always ended with 'continued in the next issue', but you could never find the next issue! There are times I occasionally worry that Spider-man will never get out of one of those deathtraps he was in in the 1960s..."
Other than these tantalizing morsels, Gaiman and the Marvel brass aren't giving away too many spoilers. Whether 1602 will be a big hit, will lend itself to a sequel, or whether it will have any lasting effect on the "regular" Marvel universe, remains to be seen.
An educated guesser can easily conclude that those completely unfamiliar with Marvel Comics may find some enjoyment in 1602, but only True Believers will get the full measure out of it, reveling in what looks to be a rich remolding of Marvel's cherished creations.
